_jeffrey-gibson-the-space-in-which-to-place-me-92-usa-at-the-venice-art-biennale-2024.jpg "Jeffrey Gibson: the space in which to place me \USA at the Venice Art Biennale 2024 from villiers fastest century Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 11:13
👁 View: 50K times
✓ Published: 22-Apr-2024
👁 View: 50K times
✓ Published: 22-Apr-2024
Description:
Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024.<br/><br/>Official description: Jeffrey Gibson has forged an interdisciplinary practice and hybrid visual language that draws from American, Indigenous, and queer histories, with references to popular subcultures, literature, and global artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson grew up in major urban centers in the United States, Germany, and Korea— experiences that inform his practice. In his work, intertribal aesthetics, beadwork, textiles, and found objects from the past two centuries commingle with the visual languages of global modernism. His use of pattern and abstract geometries confronts the chromophobia of contemporary art. His practice reflects the vibrant realities of Indigenous communities in the United States, a form of cultural critique that engages with complex histories rather than erasing them. With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.
Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024.<br/><br/>Official description: Jeffrey Gibson has forged an interdisciplinary practice and hybrid visual language that draws from American, Indigenous, and queer histories, with references to popular subcultures, literature, and global artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson grew up in major urban centers in the United States, Germany, and Korea— experiences that inform his practice. In his work, intertribal aesthetics, beadwork, textiles, and found objects from the past two centuries commingle with the visual languages of global modernism. His use of pattern and abstract geometries confronts the chromophobia of contemporary art. His practice reflects the vibrant realities of Indigenous communities in the United States, a form of cultural critique that engages with complex histories rather than erasing them. With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
_10-best-rock-songs-of-the-21st-century.webp "Louder is the ultimate resource for alternative music coverage and the home of iconic rock brands Classic Rock, Metal Hammer and Prog.")
_10-best-rock-songs-of-the-21st-century.webp "Louder is the ultimate resource for alternative music coverage and the home of iconic rock brands Classic Rock, Metal Hammer and Prog.")
_chilling-at-barcelona-beach-spain.webp "Until the end of the twentieth century, the beaches in Barcelona were not very appealing. It was only in the 90’s that the various beaches were transformed, cleaning the water and the sand to make them more attractive for locals and tourists to take a dip.<br/>Although Barcelona is not considered to be a beach holiday destination, millions of people go to the city’s numerous beaches to sunbathe and swim in the Mediterranean Sea every year.<br/>A promenade runs along all the city’s coastline and crosses every beach, from LLevant (northern side of the city) to Sant Sebastià (southern part of Barcelona), where the renowned Hotel W is.<br/>All the beaches in Barcelona are well connected, maintained and equipped with all the services one would imagine a beach to have. The closest to the city center are La Barceloneta, Sant Miquel and Sant Sebastià.<br/><br/>I hope you enjoy my videos from these beautiful beaches. <br/><br/>All the videos are created and edited by Beach4U in 4K resolution without any effects and color filters. <br/><br/>If you like my videos please Subscribe my channel and hit the Like button and notification bell for support .! <br/><br/>Music: YouTube Audio library<br/><br/> It's pleasure to hear about your favorite Beaches you like to see, so please feel free to ask and comment them below the videos. <br/><br/>Thanks for watching and look forward to your feedback!")
_one-hundred-and-one-dalmatians-1961.webp "One Hundred and One Dalmatians (also simply known as 101 Dalmatians) is a 1961 American animated adventure comedy film produced by Walt Disney Productions with distribution by Buena Vista Distribution. Based on Dodie Smith's 1956 novel The Hundred and One Dalmatians, the film was directed by Hamilton Luske, Clyde Geronimi, and Wolfgang Reitherman with a script written by Bill Peet. With the voices of Rod Taylor, J. Pat O'Malley, Betty Lou Gerson, Martha Wentworth, Ben Wright, Cate Bauer, David Frankham, and Frederick Worlock, the film's plot follows a litter of fifteen Dalmatian puppies, who are kidnapped by the obsessive heiress Cruella de Vil, wanting to make their fur into coats. Their parents, Pongo and Perdita, set out to save their puppies from Cruella, in the process rescuing eighty-four additional ones, bringing the total of Dalmatians to one hundred and one.")
_10-best-rock-songs-of-the-21st-century.jpg)
_10-best-rock-songs-of-the-21st-century.jpg)
_chilling-at-barcelona-beach-spain.jpg)
_one-hundred-and-one-dalmatians-1961.jpg)
![[+]](/images/menu.gif){kind=small}