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China’s Long March 4C rocket launched the Yaogan-34 04 satellite from the Jiuquan Satellite Launch Center.<br/>The rocket sheds insulation tiles during launch, a normal occurrence.<br/><br/>Credit: Space.com | footage courtesy: China Central Television (CCTV) | edited by Steve Spaleta
⏲ 1:19 👁 1.3M
Saif Zohan
⏲ 6 minutes 21 seconds 👁 9.2M
Saif Zohan
⏲ 26 minutes 25 seconds 👁 6.8M
This summer, the epic studio disaster movie returns with an adrenaline-pumping, seat-gripping, big-screen thrill ride that puts you in direct contact with one of nature’s most wondrous—and destructive—forces.<br/><br/>From the producers of the Jurassic, Bourne and Indiana Jones series comes Twisters, a current-day chapter of the 1996 blockbuster, Twister. Directed by Lee Isaac Chung, the Oscar® nominated writer-director of Minari, Twisters stars Golden Globe nominee Daisy Edgar-Jones (Where the Crawdads Sing, Normal People) and Glen Powell (Anyone But You, Top Gun: Maverick) as opposing forces who come together to try to predict, and possibly tame, the immense power of tornadoes.<br/><br/>Edgar-Jones stars as Kate Cooper, a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi (Golden Globe nominee Anthony Ramos, In the Heights) to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better.<br/><br/>As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.<br/><br/>Twisters also stars Brandon Perea, Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical) and Golden Globe winner Maura Tierney (Beautiful Boy).<br/><br/>From Amblin Entertainment, Twisters is directed by Lee Isaac Chung and is produced by Oscar® nominee Frank Marshall (Jurassic and Indiana Jones franchises) and by Patrick Crowley (Jurassic and Bourne franchises). The screenplay is by Mark L. Smith, writer of the Best Picture nominee The Revenant. Twisters will be distributed by Universal Pictures domestically and by Warner Bros. Pictures internationally.<br/><br/>Twisters hits cinemas on 19th July.
⏲ 3:13 👁 650K
NTV News
⏲ 15 minutes 52 seconds 👁 2.4K
Deepto Natok
⏲ 46 minutes 1 second 👁 934.9K
When Clone Force 99, a.k.a. The Bad Batch, scored their own spinoff after being introduced early on in Star Wars: The Clone Wars Season 7, they were joined by Omega, a female clone of Jango Fett who, like Boba Fett, ages at a normal rate. Omega’s come a long way during her time with Hunter, Wrecker, Echo and the late Tech, and with Star Wars: The Bad Batch’s third and final season about to begin, Michelle Ang, who voices Omega, opened up to CinemaBlend about the young character’s evolution in Season 3. Additionally, if Omega is ever played in live-action, Ang provided some advice to the hypothetical actress who’d take over the role.<br/><br/>During my chat with Ang, I pointed out how in The Bad Batch Season 1, Omega was a sheltered child who was finally got to experience freedom for the first time when the title group took her off Kamino and brought her along on their travels. Then in Season 2, we watched Omega become a capable soldier who could handle herself in the field much better. So regarding Season 3, I asked the actress what she thinks is the biggest way Omega has evolved for this new batch (pardon the pun) of episodes.
⏲ 1:0 👁 2.1M
SOMOY TV Bulletin
⏲ 34 minutes 51 seconds 👁 12.8K
Peacock Entertainment
⏲ 49 minutes 11 seconds 👁 128.4K
Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 1.4M
Rtv Drama
⏲ 46 minutes 36 seconds 👁 1.7M
Bong Toon
⏲ 34 minutes 25 seconds 👁 9.7K
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