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FS700 5D III F3 ISO Battle
⏲ 3 min 97 sec ✓ 16-Jun-2012
Big Jumps & Big Wheelies! (Race Day Part 1)
⏲ 28 minutes 46 seconds 👁 38.3K
ATV vs SXS? No contest SXSs Suck!
⏲ 8 minutes 30 seconds 👁 22.2K
Automotive C-Frame Socket Press - Tiger Tool 10205
⏲ 71 sec ✓ 20-Oct-2016
Which SXS is the Best? Pure Action Compilation! UTV Wins + Fails - RZR KRX RMAX YXZ Maverick X3
⏲ 14 minutes 28 seconds 👁 39.6K
ARRI Alexa & Panavision Lens Test
⏲ 6 min 71 sec ✓ 08-Feb-2013
Extreme Metal Products UTV Windshield Material Testing
⏲ 2 min 35 sec ✓ 18-Oct-2019
Sony PMW-300 Sneak Peek
⏲ 1 min 71 sec ✓ 10-Sep-2013
SXS Events Environmental Video 2013
⏲ 2 min 51 sec ✓ 11-Apr-2013
Boom
⏲ 1 min 90 sec ✓ 06-Feb-2012
Los Angeles | A Unique Perspective
⏲ 1 min 57 sec ✓ 25-Mar-2014
ARRI Alexa wPanavision & Kowa Anamorphic Lenses: Anamorphic Lens Comparison
⏲ 3 min 73 sec ✓ 29-Jan-2015
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_fs700-5d-iii-f3-iso-battle.webp "> Before all the critics start and I get bombarded with emails asking why I did this and why I didn't do that, please let me state that what I did here is not a very scientific test.I did it solely to see how the three cameras I have look and compare to each other.The big thing to remember is all these cameras can be made to look great if the operator knows what he or she is doing. I purposely set up the test to make the cameras look as bad as possible when comparing ISO.What I tried to do")
_big-jumps-amp-big-wheelies-race-day-part-1.webp "SXSBlog")
_atv-vs-sxs-no-contest-sxss-suck.webp "Dirt ObseXXion")
_automotive-c-frame-socket-press-tiger-tool-10205.webp "https://www.tigertool.com/product/automotive-c-frame-socket-press/nThe automotive press can be used for a number of different removal and installation jobs on various driveline and non-driveline related parts. Any socket with 1/4″, 3/8″ or 1/2″ drive can be used in any combination for the use on virtually all cars, ATV/UTV/SxS, light-duty trucks and farm machinery. There are also flat anvils which can be installed into either side of the press for general clamping/pressing.nn•Rigid C-f")
_which-sxs-is-the-best-pure-action-compilation-utv-wins-fails-rzr-krx-rmax-yxz-maverick-x3.webp "AdrenalineJunkieProd")
_arri-alexa-amp-panavision-lens-test.webp "ARRI Alexa w/ Panavision Primo, Super Speed, and Z-Series LensesnnTesting the veiling glare, contrast, and sharpness of Primos at T2.0 vs. older lenses wide open.nnPrimo - 24, 35, 40, 50, 65, 75, 100nSuper Speed - 24, 35, 40, 50, 55, 75, 100nZ-Series - 40, 65nnISO 1000 (unless otherwise noted)nREC709 to SxSnnThank you to Cathy Peirce, Guy McVicker, and the rest of the staff at Panavision Hollywood.")
_extreme-metal-products-utv-windshield-material-testing.webp "Shop UTV Parts and Accessories At Side By Side Stuff - https://www.sidebysidestuff.com/nnShopw Extreme Metal Products At -nhttps://www.sidebysidestuff.com/extreme-metal-products.htmlnnVideo Credit:nEMP")
_sony-pmw-300-sneak-peek.webp "Nathan Holley, sales manager at Fusion Cine, gives you a quick preview of a pre-production Sony PMW-300, slated for release this fall. For further information please visit http://www.fusioncine.com.")
_sxs-events-environmental-video-2013.webp "environmental video, environmental policy, sxs events, johnny palmer, event production, event sustainability")
_boom.webp "A Short Film By Daniel Matyas, Brian Broder, and Andrew FieldsnnA man discovers something terrifying. Can he get out in time?nnOfficial Selection of South by Southwest 2012 and Dallas International Film Festival 2011nJury Prize winner at South by Southwest 2012nnThis film was written, shot, and cut over the course of a two day art intensive at Greenhill School. nnPress:nhttp://www.movies.com/movie-news/short-rounds-stricken-with-sxsw-envy-pretend-you39re-austin-with-these-six-shorts/7042nhttp://")
_los-angeles-124-a-unique-perspective.webp "All footage created with Cineflex gyro-stabilized systems using a variety of lenses and cameras. Footage includes a unique view of the skyline and time-lapse scenes of the LAX airport.nnCameras includedthe ARRI Alexa-M and Sony HDC1500 with Canon 14.5-60mm, Canon 30-300mm cinema zooms, and the Fujinon 13x 4.5mm super wide. Sensor sizes were set to ARRIRAW, 2K and 1080p with recording to XR Capture Drives, AJA KiPro, andSxS 64Gb Pro Media.nnTime-lapse scenes were flown at slow airspeeds using")
_arri-alexa-w-panavision-amp-kowa-anamorphic-lenses-anamorphic-lens-comparison.webp "Testing the flare, distortion, focusing, bokeh, and veiling glare of anamorphic lensesn nPanavision G-Series – 50mm – T2.8nPanavision E-Series – 50mm – T2.8nPanavision C-Series – 50mm – T2.8nPanavision Hi-Speed – 55mm – T2.8nPanavision Hi-Speed – 50mm – T1.4 (ISO 200)nPanavision B-Series – 50mm – T2.8nPanavision 16-AP - 50mm - T2.8nKowa – 50mm – T2.8n nISO 800 (unless otherwise noted)nREC709 to SxSn nThank you to Cathy Peirce, Guy McVicker, and the rest of the staff a")
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