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A woman says she has been made a prisoner in her own home - because of BADGERS.<br/><br/>Rae Boxley, 51, lives with spinal myelopathy, which leaves her at risk of fatal injury from even a gentle fall. She can't even use her garden as badger activity has left the surface uneven.<br/><br/>Dudley Council said it had investigated but, as badgers are protected by law, its options are \
⏲ 1:20 👁 2.2M
Yoga with Uliana
⏲ 15 minutes 7 seconds 👁 219.9K
Yoga with Uliana
⏲ 11 minutes 30 seconds 👁 13.1K
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 1.4M
Hoag Health
⏲ 26 minutes 26 seconds 👁 39
Yoga with Uliana
⏲ 6 minutes 👁 86.9K
Standing as one of the best sci-fi movies of all time, \
⏲ 1:15 👁 1.1M
Yoga With Adriene
⏲ 28 minutes 36 seconds 👁 1.7M
Ocean Vayu Yoga
⏲ 20 minutes 58 seconds 👁 8.5K
Workers rule streets on May Day<br/><br/>For one day, workers ruled the world’s biggest streets. Thousands strong marched Wednesday, to mark May Day, the first day of the month when workers’ rights are celebrated in demonstrations around the globe. From Seoul to Paris, Istanbul to Berlin, they drew attention to stagnant wages and the high cost of living as they took aim at their governments. In some cases, their governments returned fire. Standing out in the crowds were the many messages held high on banners or scrawled in pen on simple signs. 'We work to live!!! Not to die!!!' read the sign held by a man in Manila, Philippines. 'The rich want war — the youth want a future,' a banner said in Berlin. 'Don’t touch the eight-hour workday!' warned a placard in Colombo, Sri Lanka. <br/><br/>Photos by AP<br/><br/>Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe <br/>Visit our website at https://www.manilatimes.net <br/> <br/>Follow us: <br/>Facebook - https://tmt.ph/facebook <br/>Instagram - https://tmt.ph/instagram <br/>Twitter - https://tmt.ph/twitter <br/>DailyMotion - https://tmt.ph/dailymotion <br/> <br/>Subscribe to our Digital Edition - https://tmt.ph/digital <br/> <br/>Check out our Podcasts: <br/>Spotify - https://tmt.ph/spotify <br/>Apple Podcasts - https://tmt.ph/applepodcasts <br/>Amazon Music - https://tmt.ph/amazonmusic <br/>Deezer: https://tmt.ph/deezer <br/>Tune In: https://tmt.ph/tunein<br/> <br/>#TheManilaTimes <br/>#worldnews <br/>#laborday <br/>#workers
⏲ 1:10 👁 11.7M
Yoga with Uliana
⏲ 15 minutes 9 seconds 👁 29.9K
Travis Eliot
⏲ 22 minutes 51 seconds 👁 63.7K
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