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1/31/90; Atlanta, GA; Center Stage Theatre<br/>2/10/90 – hosted by Jim Ross & Jim Cornette; included footage from Clash of Champions of NWA World Champion Ric Flair, NWA TV Champion Arn Anderson, & Ole Anderson attacking Sting and kicking him out of the Four Horsemen, with Sting & Flair later brawling in the aisle during the main event; featured comments from the Horsemen who claimed they were glad to be themselves again and Sting would pay for signing a title match with Flair; included the Shane Douglas & Johnny Ace vs. MOD Squad match from 2/3/90 Worldwide; featured comments from the Road Warriors, along with Paul Ellering, who claimed they would stand by Sting’s side against the Horsemen and would destroy Dan Spivey & Mark Callous in a Chicago Street Fight; included comments from Teddy Long, Spivey, & Callous who claimed the Road Warriors would end up like the “Roadrunner” against them; featured Cornette ranting about the return of Ricky Morton & Robert Gibson to the NWA and Cornette claiming Stan Lane & Bobby Eaton would run Morton & Gibson out of the company in their very first match, as well as capture the NWA US Tag Team Titles; included a promo with Missy Hyatt mentioning her new role as Ross’ co-host on The Main Event; featured comments from Brian Pillman, who claimed Flair lost all his respect by turning on Sting; included the Rip Morgan & Jack Victory vs. Pillman & Tom Zenk match from 2/3/90 Worldwide; featured a Louisville Slugger segment with Cornette interviewing Steve Williams, who claimed he would take the NWA US Title from Lex Luger at Wrestle War, with Williams not interested in Cornette’s managerial services; included comments from the Andersons who claimed NWA Tag Team Champions Rick & Scott Steiner would have to deal with them; featured comments from the Gladiator who was upset he wasn’t on the cover of Wrestling Wrap-Up and challenged Sting to a match next week; included Gordon Solie interviewing Sting who claimed he had a good thing going with the Four Horsemen and mentioned Flair was fearful of Sting coming after his title due to beating Flair at Starrcade, with Sting guaranteeing that he would win the title at Wrestle War; featured Ross interviewing Kevin Sullivan who claimed madness was taking over the NWA and that he found a man who’s insanity could be controlled; included a closing report by Ross reporting that Sting’s knee had been severely damaged due to a Horsemen attack, with Sting in the hospital, and more information would be released as it developed:<br/>Norman pinned Pat Rose at 3:31 with a sit-down splash; prior to the bout, Norman commented on how much he enjoys reading Wrestling Wrap-Up<br/>The Road Warriors (w/ Paul Ellering) defeatred Sgt. Buddy Lee Parker & Lt. James Earl Wright at 3:00 when Road Warrior Animal pinned Parker with a powerslam off the middle rope<br/>Dan Spivey & Mark Callous (w/ Teddy Long) defeated Sean Regal & Zan Panzer at 1:42 when Spivey pinned Regal with a powerbomb; after the bout, Callous hit a ro
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Will Starshine
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Hei2z
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<br/>SATURDAY-NIGHT THEATRE<br/><br/>Sat 26th Aug 1961, 20:30 on BBC Home Service Basic<br/><br/>The recorded broadcast of April 24.<br/><br/>Haydn Jones, Avril Elgar and Miles Malleson in Six Men of Dorset by Miles Malleson and H. Brooks<br/><br/>A play about the Tolpuddle Martyrs, celebrating the brave working class men who were exiled to Australia for forming a trade union.<br/><br/>The action takes place in Dorset, London, and Australia in the 1830s, and Canada in the 1850s.<br/>Produced by Charles Lefeaux<br/><br/>Main characters in order of speaking:<br/><br/>Nellie, as a child: Susan Bown<br/><br/>Georgie: David Lott<br/><br/>Jinnie: Heather Kyd<br/><br/>Betsy Loveless, their mother: Avril Elgar<br/><br/>George Loveless, their father, and one of the Six Men: Haydn Jones<br/><br/>James Loveless, one of the Six Men: Tom Watson<br/><br/>Two of the Six Men: James Brine: Nigel Anthony<br/><br/>Two of the Six Men: James Hammett:<br/><br/>William Eedle<br/><br/>Edward Legg: Kenneth Dight<br/><br/>The Squire: Eric Anderson<br/><br/>Dr Warren: Derek Blomfield<br/><br/>Farmer Bryant: Julian Somers<br/><br/>Farmer Case: Wilfred Babbage<br/><br/>Farmer Duffelt: Philip Morant<br/><br/>Two of the Six Men: Thomas Standfield:<br/><br/>Frederick Treves<br/><br/>John Standfleld: Andrew Irvine<br/><br/>William Cobb: Godfrey Kenton<br/><br/>Mr Wollaston, JP: Peter Claughton<br/><br/>James Frampton, JP: John, Bryning<br/><br/>Mr Gambier, Counsel for the Prosecution:<br/><br/>Derek Birch<br/><br/>Mr Butt, Counsel for the Defence: Miles Malleson<br/><br/>Judge Baron Williams: Keith Williams<br/><br/>The Rev Dr Wade: Willoughby Goddard<br/><br/>Robin Nealy: Andrew Irvine<br/><br/>Nellie Loveless: Penelope Lee<br/><br/>Other parts played by members of the BBC Drama Repertory Company<br/><br/>Tolpuddle is a village near Dorchester in Dorset, where in the years 1833 and 1834 a great wave of trade union activity took place and a lodge of the Friendly Society of Agricultural Labourers was established.<br/><br/>George Loveless and five fellow workers – his brother James, James Hammett, James Brine, Thomas Standfield and Thomas's son John – were charged with having taken an illegal oath. But their real crime in the eyes of the establishment was to have formed a trade union to protest about their meagre pay of six shillings a week – the equivalent of 30p in today's money and the third wage cut in as many years.
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gryffinspxlls
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This might sound like a joke to you but I have made an All-Time Tail-Enders XI (Tests, ODIs, and T20s included) I have only considered players who batted primarily at no 9, 10, or 11.<br/>My openers will be<br/>Jason Gillespie<br/>Tim Southee(c)<br/>Bhuvneshwar Kumar<br/>Brett Lee<br/>Harbhajan Singh<br/>Stuart Broad<br/>Dale Steyn<br/>Mohammed Shami<br/>Trent Boult<br/>James Anderson<br/>Muttiah Muralitharan<br/>Let me know the changes you would make to this XI.
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See more here: https://wp.me/p58EtD-7ff<br/>Lee Chandler is the founder of The Wise Old Soul Podcast, he has been a business man with more than 30 years of experience in land development and commercial/residential building in both the USA and Canada. The combination of his personal and business experiences made Lee particularly well suited to expand his philanthropic endeavours through his charity;Bracelets For Buildings Inc. (B4B), where he is Co-Founder and President. B4B’s first international projects in Thailand and Cambodia began in 2015.<br/><br/>From his early years, Lee demonstrated innate qualities of compassion and caring for others. During primary school, he began his outreach through volunteerism by regularly visiting the auxiliary hospital where his grandmother lived.Lee’s personal credo can be summarized in this statement: “As a person, I have the responsibility to help others (no matter what race, religion or gender) who due to no fault of their own, cannot truly help themselves”.<br/>Links to B4B Charity: WS; https://www.bracelets4buildings.com/<br/>https://www.facebook.com/BraceletsForBuildings/<br/>https://www.instagram.com/BraceletsForBuildings/<br/><br/>He has been on a spiritual quest most of his life with extraordinary spiritual experiences from childhood. Recently Lee felt to share his spiritual journey in a more powerful way, thus creating The Wise Old SoulPodcast. The wise old soul refers to the inner guidance, the inner knowing we all have, and have experienced from time to time. It is truly a 'Journey To A Higher Perspective' for us all. <br/><br/>Lee and his guests delve into questions from a spiritual perspective, including near death experiences, kundalini awakenings, angels, guides, connecting with those who have crossed over, and explore other intelligence through out the cosmos. <br/><br/>Appreciate KAren's work Awakening Consciousness?<br/>THANK YOU for your Support for the content. Share your appreciation on this linkhttps://www.paypal.me/KArenASwain<br/><br/>Visit KAren's website here https://karenswain.com/<br/>Follow us on all our platforms https://linktr.ee/KArenSwain<br/>Join our Awakening Empowerment Network Facebook Group<br/> / awakeningempowermentnetwork
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The inspiration behind Binibini by Zack Tabudlo | OG<br/>Zack Tabudlo, a versatile musician who recently got featured on New York's Times Square billboard and Rolling Stone magazine sits down with OG and opens up about music, an old flame, and the inspiration behind his beloved hit Binibini. And it looks like he's pretty involved in its music video. Here's Zack for the full narrative. <br/><br/>If you have been listening to this artist for a while, you'll find an artist who's making his own sound. Could this young act influence big time the future of OPM sound? What do you think?<br/><br/>Well, we're just taking the hint. Spotify and Rolling Stone didn't recognize him for no reason. They just identified him as a global artist and international hitmaker. That's a huge wow!<br/><br/>About Zack Tabudlo (courtesy of his Spotify profile):<br/><br/>Zack Tabudlo an alt-pop and r&b artist from Manila, Philippines. He is also music producer, songwriter, and a mult-instrumentalist.<br/><br/>Since being a finalist in The Voice Kids in 2014, Zack has released self-written compositions, and has worked on notable local and international collaborations. He produced and arranged actor Carlo Aquino's rendition of 'Balisong (Transformed)' and Sharlene San Pedro's singles 'Everything Will Be Alright' and 'Pusong Naliligaw' (2019).<br/><br/>In 2020, Zack became part of the maiden roster of Island Records Philippines, and has since released singles “Nangangamba”, “Cruel”, “Sigurado”, “Iyong Iyo\
⏲ 3:47 ✓ 30-May-2024
Frame rate matters and anyone who tells you otherwise isn’t paying attention. From the creative aspects like slow motion, to the practical considerations like being able to mix frame rates in the edit — the amount of frames per second you shoot matters. In this video, we’ll answer the following questions: What is frame rate? Does frame rate matter? And what frame rate should I use for video? This is the Ultimate Guide to Frame Rate Explained.<br/><br/>FPS Explained: Frame rate is measured as frames per second (fps), or the number of still images captured by the camera or presented by the projector every second. For decades, the standard frame rate (what some call the cinematic frame rate) has been 24 fps. Since digital cameras came into the picture the frame rates commonly run at 30 fps, 60 fps, or even 120 fps. Since the number of frames per second has a direct relationship with the “smoothness” of the motion, you might assume that a high frame rate is always better. But it all depends on the look you’re going for.<br/><br/>They call 24 fps the cinematic frame rate because it “looks” like movies do. The amount of motion blur associated with that particular frame rate can be achieved in digital formats, which is an aesthetic choice many videographers make. With The Hobbit, director Peter Jackson chose to shoot and present the films at 48 fps to create a more immersive 3D experience. More recently, director Ang Lee topped that with films like Billy Lynn’s Long Halftime Walk and Gemini Man at a whopping 120 fps.<br/><br/>Some filmmakers have gone the other direction, away from “smooth and perfect” motion to something noticeably jagged and smeared. Directors like Wong Kar Wai, Tony Scott, and Quentin Tarantino have used a process called step printing, in which they shoot as low as 6 fps and “copy/paste” each frame 4 times to create 24 fps. Along with an open shutter, we get a normal rate of motion but with the look and feel of slow motion. <br/>No matter if you’re working in cinematography or videography, frame rate matters. As you build your shot list and storyboard, remember these considerations and how frame rate works. Frame rate, like every other creative decision, has a direct impact on the finished product. What is frame rate? An opportunity to use the tools at your disposal to tell more immersive and memorable visual stories.
⏲ 15:47 ✓ 28-May-2024
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