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Report from Mars
⏲ 61 sec ✓ 29-Sep-2012
The Daedalus Effect and other dilemmas (excerpt 1)
⏲ 5 min 77 sec ✓ 25-Mar-2013
Karl Heinz Jeron :: Hypothetische Maschinen
⏲ 4 min 56 sec ✓ 25-Jun-2015
WOTRUBA - Thomas Draschan (excerpt)
⏲ 63 sec ✓ 05-Nov-2014
Looking Backward to To- Morrow (2009)
⏲ 2 min 79 sec ✓ 18-Nov-2010
Families Are Forever
⏲ 19 min 34 sec ✓ 30-Jul-2014
Tiny Orchestral Moments presents: Descaling the Whales(variation 06)
⏲ 2 min 21 sec ✓ 21-Aug-2020
The mechanics of continuity 2015
⏲ 1 min 89 sec ✓ 20-Oct-2015
Photobook : The SecondNature
⏲ 3 min 77 sec ✓ 12-Jan-2016
Particle (2019)
⏲ 11 min 34 sec ✓ 03-Nov-2019
IR :: Indigenous Resistance: Outernationalism
⏲ 4 min 13 sec ✓ 06-Oct-2022
Agile Deployment - Human-Robot Collaboration for Aircrete & Biobased Concrete Alternative Assembly
⏲ 3 min 35 sec ✓ 03-Aug-2020
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_report-from-mars.webp "“Report from Mars”nnThis is the inside scoop from a Mars rover of the future, perhaps 20 or 40 years from now. Besides performing soil tests, geological surveys and the lot, rovers in the future will likely be able to go beyond just collecting data but processing it with a complete analysis.Uploads from Mars will likely have charts and graphs vs raw bits and bytes.nnHowever, rovers in the future will have the additional mission of locating, stockpiling, and recycling former rover mission h")
![The Daedalus Effect and other dilemmasnCreated and performed by Arturo VidichnAdditional Direction by Enrico D. WeynCostume by Kae BurkenConstruction Assistance by Emma Fitzgerald, Jon Harper, Aki Sasamoto, Joseph Vidich, Luis Violante, Enrico D WeynProduction Assistance by Greta HartensteinnAdditional Object by Joe LevasseurnnPresented by New York Live ArtsnJan 24-26 2013 at 7:30PMnOff-site at The Invisible Dog Art CenternnCalled “…a singularly captivating dancer…” both “[f]ierce and](https://cdn6.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol80ZmV0BGV_ZmpgLmWuLmRkAGp0BJWuZmDjZGt3LzMzMQSuBQLmBTAuZzZlMzSvZ_HmA_LkMQLkAQWvLmWvBGyzBTVmAGquLGL3Av1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAQZlAQxlAwZ3YJZlLJZkZGH3AQyvLGZ0ZQR-A_WzMzDkLGt_ZmuwLGWwZzMuLwAyZmqzZJD_ZGDlLzZlLwx5MwuvZmH3LJR_AmLgMP0lZQO-ZGHj/(HiFiMov.co)_the-daedalus-effect-and-other-dilemmas-excerpt-1.webp "The Daedalus Effect and other dilemmasnCreated and performed by Arturo VidichnAdditional Direction by Enrico D. WeynCostume by Kae BurkenConstruction Assistance by Emma Fitzgerald, Jon Harper, Aki Sasamoto, Joseph Vidich, Luis Violante, Enrico D WeynProduction Assistance by Greta HartensteinnAdditional Object by Joe LevasseurnnPresented by New York Live ArtsnJan 24-26 2013 at 7:30PMnOff-site at The Invisible Dog Art CenternnCalled “…a singularly captivating dancer…” both “[f]ierce and")
_karl-heinz-jeron-hypothetische-maschinen.webp "19+20 June 2015 at silent green Kulturquartier Berlin.nworks shown: n- Somebody did something then the people came - 2015 - wooden decoanimals, motors, electronicsn- But every little difference may become a big one if it is insisted on - 2015 - plastic pigs, motor, coinsn- Optimize - 2015 - deco reindeer robot, pace tracker, calory consumption countern- Sim Gishel, singing and dancing robotnnnpress text:nHypothetical machines are machines, which demonstrate the importance of play and the exper")
_wotruba-thomas-draschan-excerpt.webp "Thomas Draschan | Wotruba | 00:07:00 | 2014nnThomas Draschan devoted his experimental film to Vienna´s Church of the Most Holy Trinity, doing it with a fairly skilful translation of the visual motif. Draschan constructed his work of individual images, joining into a narrative. The assemblage of photographs places the focus on the temporal aspect and therefore the construction of reality. Above all, Draschan reveals in this way the artistic and architectural philosophy underlying this building,")
_looking-backward-to-to-morrow-2009.webp "Videoscenography by Pipo Tafelnfor the choreography of the nAvatara Ayuso Dance Company (London) in ncooperation with HELLERAU european center for the arts Dresden andnTANZPLAN Dresdennnhttp://www.hellerau.org/n nVideobühnenbild zur Geschichte der Gartenstadt Hellerau für eine abendfüllende Choreografie von Avatara Ayuso. nnI saw the role of the video inbetween nature and society's machine that is in the city, transitional details you can perceive. Experimentation with form with patterns,")
_families-are-forever.webp "1981 - Families Are Forever is a four-part multimedia narrative presented at the Renwick Gallery of Art and the Division of Performing Arts, Smithsonian during the Memorial Day weekend May 28 and 29, 1981 as a tribute to families remembered. Families are Forever is expressive of the unseen connections of families both backward and forward in time expressive of the subtle but powerful connections of families. The dynamic yet softly flowing movements combine with slides and narrative to explore th")
_tiny-orchestral-moments-presents-descaling-the-whales-variation-06.webp "Another evolving five country, three instrument, nine improvisation COVID collaboration (version VCV) featuring:nnNora Germain, United States (violin)nGretchen Yanover, United States (cello)nBen Thomas, United States (vibes)nnbuilding on the work ofnnOctavio Salas, Mexico (guitar)nFabián Romero, Ecuador (guitar)nOscar Mander, Sweden (guitar)nSteve Ball, United States (guitar)nAlessandro Inolti, Italy (drums)nTrey Gunn (composer)nnI'm exploring a new form of improvised composition: three takes,")
_the-mechanics-of-continuity-2015.webp "Mixed media, video, hologram, motors, recycled plumbing parts.n nThe main inspiration for this work is the Dead sea as a place of retreat that is in a continues decline, a kind of a wild west that attracts to it societies refugees which create a unique human dynamic. n nThe installation combines videos along with sculptures made of construction and infrastructure materials- wood planks, sewage pipes, gypsum, fans etc. The sculptures were built in the style of a DIY project. The central structure")
_photobook-the-second-nature.webp "」Work Year - 2015n」Running Time - 00：06：17n」Additional detailsnIncluding photography works of Lewis Baltz , Stephen Shore, Ed Ruscha, Judy Fiskin and Bernd and Hilla Becher’s... etc, The New Topographics : Photographs, a movement to challenge traditional landscape photography in the late 1960s and early 70s, inspired me to reconsider how to produce a serial photography belonging to Taipei city’s New Topographics. Thus, targeting the nature of the city, I initiate the project, Th")
_particle-2019.webp "Particle (2019) from construction additional work form")
_ir-indigenous-resistance-outernationalism.webp "A small handheld camera - that’s all. No tripod, no special filters, no lighting aids, no light meters… It is easier to pass through military border controls when you don’t have these accessories.nnThese are some of the factors that influenced the technical aspects of this IR film project in a region that has witnessed military conflicts that have galvanized world attention.nn“We are protected.” nnThese words of IR conspirator J♀ served as the guiding inspiration for the IR film crew")
_agile-deployment-human-robot-collaboration-for-aircrete-amp-biobased-concrete-alternative-assembly.webp "Automation within the construction industry is a widely researched topic in architecture because of the massive implications it will have in the future.But the construction industry has been slow to adopt automation, unlike other industries that were quick to adapt the technology to reduce labor costs and increase efficiencies.As construction does begin to adjust to new technologies, they are seeing increases in productivity while decreasing their labor costs and providing better work enviro")
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