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Mokshith Thirumala free fire maxgameplay
⏲ 2:0 👁 85K
Bigfoot Grip of The Monster Movie Trailer HD - Plot synopsis:After experiencing a terrifying Bigfoot encounter 20 years ago in the vast Northern woods of Maine, author Max Lee writes a bestseller about this account.On his quest for answers he finds the small town of Hemlock Falls.<br/>Directed by Ashley Hays Wright<br/>Starring David Owen Wright, Gary D Clark, Jaina Wright, Ashley Hays Wright, Scout Wright, Cadence Wright
⏲ 1:18 👁 465K
Dogs embrace little pleasures with boundless enthusiasm.<br/><br/>This dog's enthusiasm was contagious as he danced around, focused solely on those delicate, floating orbs.<br/><br/>He absolutely adored bubbles.<br/><br/>When he spotted bubbles floating in the air, his excitement knew no bounds.<br/><br/>With a gleam in his eyes and a wagging tail, Max leapt and bounded, aiming to catch those shimmering bubbles with his paws.<br/><br/>His whole body became a whirl of furry energy as he playfully chased after each bubble, determined to make it his own.<br/>  <br/>Location: Bournemouth, United Kingdom<br/>WooGlobe Ref : WGA498891<br/>For licensing and to use this video, please email licensing@wooglobe.com
⏲ 0:21 👁 115K
STAX Soulsville U.S.A. Trailer HD - Documentary series - Story of an underdog, interracial record label that ushered in the groundbreaking music of Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, The Staple Singers, Sam & Dave and many others - Plot synopsis: By 1973, Stax Records was one of the recording industry’s most influential producers of soul music, breaking acts such as Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, Sam & Dave, and many more. In just under two decades, the scrappy outsider had grown from a modest family-owned record store and studio in Memphis, TN to a trailblazing global music label. STAX: SOULSVILLE U.S.A. chronicles the audacious group of individuals who dared to make music on their own terms, smashing racial barriers and defining an era and leaving an enduring musical legacy in their wake. Driven by a striking collection of restored and remastered archival performance footage and intimate interviews with key players in the label’s remarkable history, STAX: SOULSVILLE U.S.A. details the unlikely origin story of Stax Records and pays tribute to its complex music library and the legendary artists that emerged from the iconic studio.<br/><br/>Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent – musicians, songwriters, and producers – who would create the unforgettable Stax sound. Against the backdrop of the American south of the ‘50s, ‘60s, and ‘70s, white and Black artists worked together, defying segregation, and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions,” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity, and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after fifteen pioneering years. <br/><br/>STAX: Soulsville, U.S.A.Releases on HBO and Streams on MAX on May 20 & 21st 2024<br/><br/>Directed by Jamila Wignot <br/>Produced by Jamila Wignot and Kara Elverson<br/>Executive Produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman<br/>Featuring Otis Redding, Estelle Axton, Al Bell, Steve Cropper, Isaac Hayes, Booker T. Jones, Sam Moore, Deanie Parker, David Porter, Jim Stewart, Carla Thomas
⏲ 2:13 👁 55K
All the best stats ahead of the Miami Grand Prix, where Max Verstappen could make it a hat-trick of race wins
⏲ 0:52 👁 55K
Synopsis: An ex-sportswriter is hired by a shady fight promoter to promote his latest find, an unknown but easily exploitable rising star from Argentina.<br/>Genre: Drama<br/>Director: Mark Robson<br/>Top cast: Humphrey Bogart, Rod Steiger, Jan Sterling, Mike Lane, Max Baer, Jersey Joe Walcott, Edward Andrews
⏲ 1:48:47 👁 50K
Apple is set to report second-quarter earnings on Thursday, with Wall Street watching closely for updates on iPhone sales. Shares of Apple are down over 10% year-to-date in 2024, facing challenges including weaker iPhone demand in China and increased competition. Many analysts are focused on Apple's \
⏲ 0:36 👁 1M
Anya Taylor-Joy has revealed that she reached out to Charlize Theron after filming 'Furiosa: A Mad Max Saga'.
⏲ 1:12 👁 45K
In a concert honoring Aussie heroes, many aboard had volunteered during cyclone, flood, and fire clean-ups, nominated by their communities. Musicians Sheppard, Lee Kernaghan, Max Jackson, and Kairos King were among the first to perform, with Nashville-based siblings Sheppard flying in for the event.
⏲ 1:25 👁 9.8M
Mad Max: Fury Road's hellish vision was basically produced in actual hell.
⏲ 12:15 👁 1.2M
Are AirPods Max still among the best headphones with active noise cancellation? Here’s how Apple’s $549 cans compare to a more budget-friendly choice, the $150 Soundcore Space Q45. From design and features to sound performance and battery life, let’s break down the differences between our reviews of both headphones to see how much price matters.
⏲ 8:4 👁 495K
Tornadoes and heavy CGI devastation. “Into the Storm” put all of its eggs (and money) into that basket and hoped it was enough to win an audience. With a budget of $50 million and a box office take of $160 million I would say the movie more than accomplished its goal. Less discerning fans will leave satisfied with the numerous twisters and their swirls of dirt and debris. But if you happen to be looking for anything more than that “Into the Storm” will leave you wanting.<br/><br/>The story follows a couple of groups in and around the small town of Silverton, Oklahoma. One is a group of storm chasers led by Pete (Matt Walsh). He is a veteran chaser who is also working on a documentary, but the storms haven’t been good to him. He’s desperate to track down a tornado and he has brought in meteorologist Allison Stone (Sarah Wayne Callies) to help. She’s on a short leash especially after missing a recent storm and costing Pete some good footage. Pete reluctantly follows Allison’s storm tracker hunch and they head to Silverton.<br/>In Silverton school vice-principal Gary Fuller (Richard Armitage) is a widower and father of two high school boys. Donnie (Max Deacon) is his more quiet and reserved son. Trey (Nathan Cress) is his more obnoxious younger brother. Neither have had the best or most open relationship with their father since their mother died. It won’t help matters that Donnie shirks his duties of filming a graduation ceremony to help the girl of his dreams with her video school project.<br/><br/>As you can guess a massive storm front comes through spawning a number of tornadoes in Silverton. The movie takes us back and forth between our two groups as they encounter one destructive twister after another. Eventually both groups come together and must survive the queen mother of all tornadoes. I know this is true because one character actually says something like “It’s the biggest tornado ever”. This movie does that a lot. We aren’t allowed to glean information for ourselves. Everything is spelled out for us. Also don’t expect to find interesting and compelling characters. Everyone feels unoriginal and scripted. But to be fair plot, dialogue, and character development aren’t priorities here.<br/>“Into the Storm” partially redeems itself with its visual presentation. It’s hard not to be impressed with the CGI twisters blowing down trees, tearing through buildings, and slinging 18 wheelers like footballs. The special effects are thrilling, well conceived, and very satisfying. Clearly a huge hunk of the budget went towards the visuals and that’s okay. Most people will see the movie for Mother Nature’s spectacle and it doesn’t disappoint. The only thing that hampers the looks of the film was the decision to go the found-footage route. It’s implementation is clunky, annoying, and quite frankly I’m tired of the gimmick.<br/><br/>At a brisk 89 minutes “Into the Storm” doesn’t exhaust its welcome. It aims for one rather uninspired target and for the most part it hits it. In that regard I
⏲ 1:29:18 👁 35K
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