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Hua Zhi (Zhang Jing Yi) has scores of talents. But as the eldest female daughter of the high-standing Hua family, she is expected to keep them under wraps – and play the part of a “good partner” to her intended husband Shen Qi (Caesar Wu). That all changes when the family’s reputation takes a nosedive. All of a sudden, Hua Zhi has to step up to the plate and use all her hidden talents. This new, no-nonsense approach helps her family, but also scares off many potential suitors. One suitor appears undaunted by her abilities, however – the mysterious Gu Yan Xi (Hu Yi Tian). Could the duo find romantic bliss in this most unconventional of scenarios? This 2024 Chinese drama series was directed by Zhu Rui Bin, Lan Zhi Wei, and Gu Zhi Wei.
⏲ 45:52 👁 1.8M
Turkish drama , romantic love story
⏲ 34:2 👁 345K
Hua Zhi (Zhang Jing Yi) has scores of talents. But as the eldest female daughter of the high-standing Hua family, she is expected to keep them under wraps – and play the part of a “good partner” to her intended husband Shen Qi (Caesar Wu). That all changes when the family’s reputation takes a nosedive. All of a sudden, Hua Zhi has to step up to the plate and use all her hidden talents. This new, no-nonsense approach helps her family, but also scares off many potential suitors. One suitor appears undaunted by her abilities, however – the mysterious Gu Yan Xi (Hu Yi Tian). Could the duo find romantic bliss in this most unconventional of scenarios? This 2024 Chinese drama series was directed by Zhu Rui Bin, Lan Zhi Wei, and Gu Zhi Wei.
⏲ 45:40 👁 1.8M
As an aging widower begins suffering from cardiac trouble, his greedy heirs hire a super-seductive nurse in the hopes of inducing a heart attack, but the plan backfires when she falls in love with him.
⏲ 1:48:51 👁 1.5M
Family Love Takes Me Home ep 31,33 chinese short drama eng sub
⏲ 4:30 👁 795K
Hua Zhi (Zhang Jing Yi) has scores of talents. But as the eldest female daughter of the high-standing Hua family, she is expected to keep them under wraps – and play the part of a “good partner” to her intended husband Shen Qi (Caesar Wu). That all changes when the family’s reputation takes a nosedive. All of a sudden, Hua Zhi has to step up to the plate and use all her hidden talents. This new, no-nonsense approach helps her family, but also scares off many potential suitors. One suitor appears undaunted by her abilities, however – the mysterious Gu Yan Xi (Hu Yi Tian). Could the duo find romantic bliss in this most unconventional of scenarios? This 2024 Chinese drama series was directed by Zhu Rui Bin, Lan Zhi Wei, and Gu Zhi Wei.
⏲ 45:54 👁 2M
Thank You, Next | Official Trailer | Netflix<br/><br/>If we're ready, we're FALLING IN LOVE! Thank You, Next, only on Netflix, May 9th.<br/><br/>
⏲ 2:24 👁 735K
#TilluSquare #TilluSquareTrailer #Anupama<br/>Watch the Release Trailer of Tillu Square | Siddu, AnupamaParameswaran | MallikRam | March 29th Release<br/><br/>Tillu Square is our upcoming telugu feature film starring Sidhu, Anupama Parameswaran in lead roles. Directed by Mallik Ram. Editing by Navin Nooli. Cinematography by Sai Prakash Ummadisingu. Music by Ram Miriyala & Achu Rajamani. Produced by Suryadevara Naga Vamsi & Sai Soujanya.<br/><br/>#TilluSquare #TilluSquareTrailer #Siddu #Anupama <br/><br/>Worldwide Grand Release in theatres on March 29th, 2024.<br/><br/>Movie Name: Tillu Square<br/>Director : Mallik Ram <br/>DOP: Sai Prakash Ummadisingu<br/>Editor : Navin Nooli <br/>Background Score: Bheems Ceciroleo <br/>Music Director: Ram Miriyala and Achu Rajamani <br/>Art: A.S. Prakash<br/>Producer: Suryadevara Naga Vamsi & Sai Soujanya<br/>Banner: Sithara Entertainments, Fortune Four Cinemas
⏲ 2:0:31 👁 305K
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 280K
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