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General Hospital 05-01-2024 FULL Episode || ABC GH - General Hospital 5st, May 2024
⏲ 35:33 👁 10.4M
Christopher Nolan Talks Quentin Tarantino's Retirement Plans, And How He Feels About Making More Films
⏲ 2:23 👁 325K
Soul Land 2 eps 47 indo
⏲ 15:16 👁 7.3M
Tu Jhoothi Main Makkaar (Romantic) Full Movie _ Ranbir Kapoor, Shraddha Kapoor
⏲ 2:39:15 👁 1M
Soul Land 2- The Peerless Tang Sect Episode 47 English Sub
⏲ 15:18 👁 3M
Murder Mubarak _ Sara Ali Khan, Vijay Varma, Pankaj Tripathi
⏲ 2:21:43 👁 290K
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_general-hospital-05-01-2024-full-episode-124124-abc-gh-general-hospital-5st-may-2024.jpg "General Hospital 05-01-2024 FULL Episode || ABC GH - General Hospital 5st, May 2024 from land 2021 cast")
_christopher-nolan-talks-quentin-tarantino39s-retirement-plans-and-how-he-feels-about-making-more-films.jpg "CinemaBlend is the go-to-source for today's information and updates on new movies, tv shows, games and celebrity news and gossip.")
_soul-land-2-eps-47-indo.jpg "Soul Land 2 eps 47 indo from land 2021 cast")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.jpg "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
_soul-land-2-the-peerless-tang-sect-episode-47-english-sub.jpg "Soul Land 2- The Peerless Tang Sect Episode 47 English Sub<br/>Soul Land 2- The Peerless Tang Sect Episode 47")
_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.jpg "Misdirection. Murderers and magicians thrive on it, and, to some extent, film directors too. Homi Adajania knows his way around misdirection: his debut feature, Being Cyrus (2005), was an eerily involving thriller, its calm conceits and subtle performances building up to a delicious twist. He attempts the same trick all these years later in Murder Mubarak. As before, he gathers a fine ensemble whose florid antics keep us guessing. The only slip-up is that one of the performances — by no means a peripheral one —is alarmingly off-key, drawing more attention to itself than it ideally should.<br/>During a murder investigation, a non-traditional police officer turns a spotlight on an array of suspects. He steps into their world as an outsider, only to find there is so much more than what meets the eye.")
_general-hospital-05-01-2024-full-episode-124124-abc-gh-general-hospital-5st-may-2024.webp "General Hospital 05-01-2024 FULL Episode || ABC GH - General Hospital 5st, May 2024 from land 2021 cast")
_christopher-nolan-talks-quentin-tarantino39s-retirement-plans-and-how-he-feels-about-making-more-films.webp "CinemaBlend is the go-to-source for today's information and updates on new movies, tv shows, games and celebrity news and gossip.")
_soul-land-2-eps-47-indo.webp "Soul Land 2 eps 47 indo from land 2021 cast")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
_soul-land-2-the-peerless-tang-sect-episode-47-english-sub.webp "Soul Land 2- The Peerless Tang Sect Episode 47 English Sub<br/>Soul Land 2- The Peerless Tang Sect Episode 47")
_murder-mubarak---sara-ali-khan-vijay-varma-pankaj-tripathi.webp "Misdirection. Murderers and magicians thrive on it, and, to some extent, film directors too. Homi Adajania knows his way around misdirection: his debut feature, Being Cyrus (2005), was an eerily involving thriller, its calm conceits and subtle performances building up to a delicious twist. He attempts the same trick all these years later in Murder Mubarak. As before, he gathers a fine ensemble whose florid antics keep us guessing. The only slip-up is that one of the performances — by no means a peripheral one —is alarmingly off-key, drawing more attention to itself than it ideally should.<br/>During a murder investigation, a non-traditional police officer turns a spotlight on an array of suspects. He steps into their world as an outsider, only to find there is so much more than what meets the eye.")
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